AND SO IT GOES: An Intensely Forgettable Film


Redhead Review: And So It Goes

Rob Reiner’s latest film, And So It Goes, stars Michael Douglas and Diane Keaton as bickering-turned-flirting neighbors. Oren Little, played by Douglas, is a bitter, aloof, rude man still grieving over the death of his beloved wife. Leah (Keaton) is a quirky, caring woman who sort of wants to be a lounge singer (but cries over her own dead husband in the middle of most songs). When Oren’s estranged son, a former drug addict, shows up wishing to pass off his soon-to-be ten-year-old daughter, Sarah, on Oren for a few months while he goes to jail, Oren more or less passes her off on Leah.

Continue reading “AND SO IT GOES: An Intensely Forgettable Film”

AFFLUENZA’s Strengths Outweigh Its Weaknesses


Redhead Review: Affluenza

Affluenza, the newest feature from Holy Rollers (2010) director Kevin Asch, is a fairly predictable, formulaic glimpse into the lives of entitled teens and their absent, equally spoiled parents living in Great Neck, Long Island during the summer preceding the 2008 financial crisis. The film centers specifically on middle-class teen Fischer Miller (Ben Rosenfield) who spends the summer there with his rich cousin Kate (Nicola Peltz) and her friends, selling weed to them and expertly photographing their partying exploits with an inherited vintage camera.

Continue reading “AFFLUENZA’s Strengths Outweigh Its Weaknesses”

HOMEMAKERS Lacks Direction But Speaks To Lost Souls


Readhead Review: Homemakers

Homemakers finds part-time Austin-based punk singer Irene McCabey, played by Rachel McKeon, off to claim her inheritance in Pittsburgh—after her grandfather passes away, she is left with an abandoned and dilapidated three-story house. She runs into a long-lost cousin (turned drinking partner) named Cam, and they attempt to restore the house together, or demolish it—it is, at least initially, troublingly unclear which, or what Irene really even wants. She says she wants to sell it, but she grows to enjoy the kind of domesticity she finds in the forgotten home.

Continue reading “HOMEMAKERS Lacks Direction But Speaks To Lost Souls”

A COFFEE IN BERLIN: An Eccentric, Enlightening Journey


Redhead Review: A Coffee in Berlin

This German language film, originally titled Oh Boy, won 6 German Film Academy awards last year, including Best Director, Best Actor, Best Screenplay, and Outstanding Feature Film. It follows a day in the life of Niko Fischer, played by Tom Schilling. Niko is a slacker—directionless and unmotivated, but still likable and endearing despite his sometimes frustrating passivity. But, on this particular day that the film chronicles, he has a series of encounters that are in equal parts awkward, funny, poignant, and bizarre—endlessly entertaining, albeit sometimes uncomfortable, each event illuminates aspects of Niko’s mundane existence, knocking him down in the hopes of eventually waking him up and propelling him forward.

Continue reading “A COFFEE IN BERLIN: An Eccentric, Enlightening Journey”

Hot Guy/Funny Guy: A New Comedy Dynamic?


With this month’s hilarious comedy Neighbors, starring Seth Rogen and Zac Efron, and next month’s 22 Jump Street (the sequel to 2012’s hit, 21 Jump Street), starring Jonah Hill and Channing Tatum, my friends and I began to notice a kind of trend emerging. The duos at the forefront of these films exhibit a kind of hot guy/goofy guy dichotomy— a sort of binary between a traditionally funny actor and an actor who is, traditionally, considered eye candy.

Continue reading “Hot Guy/Funny Guy: A New Comedy Dynamic?”